Friday, 19 August 2011

for old time's sake

I still haven't entirely grasped the concept of Harry Potter being over.


And so, for old time's sake, I went and did some fanart.


Goofy fanart.



If Voldemort's told Bellatrix once, he's told her a thousand times - you don't spontaneously launch yourself into the Dark Lord's arms. It just isn't done. Alas. There she goes again.

Music: http://www.youtube.com/watch?v=DIjuqDki4-4

Monday, 13 June 2011

sometimes as a writer, i have to inform my characters of awful things

Imagine for a moment that you are a pretty young heiress named Michelle Laurentia.

You are engaged to a handsome young artist named Alphonse Gray, but your parents do not approve, because he is so dreadfully poor and not from a wealthy family.

(Your mother also has a another reason: she thinks he is rather lacking in character and far too full of himself. She would be correct, but you are too in love to agree.)

So he makes a promise to your father that he is going to travel the world, showing his paintings to all different people until he finally finds someone who sees his talent, at which point he will become rich and famous and able to provide you with a respectable home.

This takes a very long time, but you don't mind. You are one of those people who has never been exposed to bad things, and you sit in your family's mansion having tea and being beautiful without ever supposing that your dear Alphonse might be having affairs all over the world.

Because he'd never do that, would he?

Anyhow.

One day, ten years later (you were seventeen when you fell in love with Mr. Gray and are now twenty-seven), a glorious thing happens! Alphonse writes to you and informs you that, thanks to this painting he's done of his new artistic muse, he's become dreadfully famous in a City Very Like Paris! He now has piles of money, lives in a seaside manor, and is a member of high society. At last, he is ready for you to come and live with him and be his wife.

That part about having a new artistic muse is a bit worrisome. He had always used to call you his muse and paint you when he was around all those years ago. But.

Your poor mother is now dead. Your father is now senile. There is no one to disapprove anymore.

And so you pack up your dresses and your jewelry and travel to your fiance's seaside manor, and you're so dreadfully excited, and you run up the steps to the elegant front doors and give them a gentle little knock, and you're all ready to leap into your dear Alphonse's arms when he comes to answer the door, and then-!

Wait. Who is this?

Who is this skeletal little creep wearing some kind of an outlandish fur-suit-cape-disaster?


Well, well, well. This is Jezebel, Alphonse's new muse.

He goes to parties with Alphonse.
He uses a great deal of Alphonse's new money to pay for ridiculous outfits just like that one.
He lives in Alphonse's grand seaside manor, did you know that?
It's apparently all part of a deal: Jezebel is constantly available for being painted,
and Alphonse gives him a luxurious life in return.


Didn't Alphonse mention any of that in his letter? No. He didn't.

And likewise, he didn't see fit to inform Jezebel of your existence. You are a great big surprise.

Oh, well. You are a very optimistic (and a very naive) girl. You and this Jezebel will surely be the best of friends. And when you and Alphonse get married, Jezebel will surely be made to leave the house and find his own living arrangements....right?

Ah, you silly girl. You are counting your eggs before they hatch.

You are still assuming that you are going to get married and live happily ever after.

You have only just arrived, and so you've not yet become acquainted with Jezebel. You have no idea about his obsessions or his easily jealous nature or his addiction to being the center of attention at all times or those nasty little hallucinations he sometimes has.

My dear Michelle Laurentia, do you see that pale little waif standing before you?

I regret to inform you that he is about to ruin your life.

Monday, 9 May 2011

the muse


I am currently working on a story which I like to describe as what would have happened if Charles Dickens and Oscar Wilde had gotten together and decided to combine David Copperfield and The Picture of Dorian Gray into one giant book, and then they asked Franz Kafka and Salvador Dali to help them write it. Why, yes, this story is the most surreal, confusing, bizarrely hallucinogenic piece of writing I have ever produced. 

To put it quite simply, it is about a young man who, among other things, travels to a City Very Like Paris, becomes the subject of a famous artist's painting, believes he's being constantly chased by a Dark Man in a Suit who wants to kill him, and completely loses touch with all reality. His name, by the way, is Jezebel, and there is a reason for that, but it shall be revealed later.

Anyhow, here he is, looking rather odd and ill, because that is exactly how he is supposed to look. I am finally getting over my bad habit of drawing everyone more attractively than they are in my head.

Saturday, 26 March 2011

let there be light

Today, I felt like doing some quick speedpaints in which I could play around with dramatic lighting, and that is exactly what I did. 




Here we have some voluminous curtains, some abused windowpanes,
and a girl who looks rather like she takes after my best friend.


And here we have the scene which must always be drawn 
whenever one decides to draw dramatic lighting:
the young demon Legion ascending into the heavens, 
where she shall soon find God.

Thursday, 24 February 2011

not gonna

This blog has been woefully neglected as of late. I shall try my best to get back into the swing of things, I promise. Did you people know that I acquired a new job? Because I did indeed and I adore it.

In other news, this is the third piece of cover art that I have done for my autobiography. However, it is the only one out of the three that has made an appearance here. It is my favourite thus far. Someday I shall write this book and it will be the biggest and most terrifying piece of art I shall ever create. 



 
I simply refuse to use one.

Tuesday, 8 February 2011

the giant watercolour project: day two

Once upon a time*, I challenged myself to write a book in a week, and I did it.


Once upon another time**, I challenged myself to paint a giant watercolour painting in a week, and I'm currently doing it.


Unfortunately, I got the idea to take pictures of my progress along the way only after I'd done my work on the painting for today. Therefore, the picture you see below is Day One and Day Two's work combined. I am so dreadfully excited about this painting.





I am especially pleased with her hair.


* Once upon a time in this case means "last week".
** And in this case, it means "this week".


Sunday, 6 February 2011

peacock feathers

There is a reason why my poor blog has been so dreadfully neglected as of late, and it is this: I acquired a set of sketch pencils and a lovely sketchbook. Therefore, I have been drawing ferociously, but not scanning or uploading a single thing, and thus the blog remains bare. I am thinking of perhaps making an art video in which I film what is in my sketchbooks while I explain each drawing, which is something that I've seen a lot of artists doing lately. We shall see.

In other news, today I was researching Luisa Casati, who is the latest addition to my lineup of role models and inspirations. She was an Italian heiress who was about six feet tall and had peacocks running loose around her mansion and wore live snakes as jewelry, among other glorious things. She was buried with her taxidermied Pekingese dog, and her tombstone reads, "Age cannot wither her, nor custom stale her infinite variety." (Which is a line from Shakespeare's Antony and Cleopatra, if you did not know.) I absolutely adore her and I might have been her once.

Anyhoo, the point of all this is that I decided to dress up like her and take some photographs of myself. For reasons unknown, when I was doing my makeup, I spontaneously filled in my eyebrows with black eyeshadow, thus making them even more monstrous than they usually are, and...I quite liked how that looked. I just may start going around with tremendously large, dark eyebrows.











"I want to be a living work of art." - Luisa Casati